Crown & PloughPlay

Lucas Cranach

c. 1472 – 1553 · Renaissance and the Age of Discovery · The Printer of Wittenberg · Updated

Lucas Cranach (c. 1472 – 1553) was a German Renaissance painter and printmaker who worked at Wittenberg as court painter to the Electors of Saxony from 1505. A friend of Martin Luther, he painted Luther and his wife Katharina von Bora many times and so created the face of the Reformation; he was also a businessman who ran a large workshop, a pharmacy and a printing press, and mayor of Wittenberg. He is called Cranach the Elder to distinguish him from his son of the same name.

Livedc. 1472 – 1553
Active inFranconia (Kronach) · Vienna · Saxony (Wittenberg, Weimar)
Known forSaxon court painter; portraits of Luther and the imagery of the Reformation
Game start1517 · age 45 · Court painter to the Elector of Saxony (commoner) — The Printer of Wittenberg

Life at a glance

Family

The family members who appear with this character when you start the game. Years follow the historical record; where none survives, a ? is shown.

RelationNameDatesNotes
FatherHansDates unknownPainter of Kronach
WifeBarbara Brengbier? – 1541From Gotha; ran the household and the workshop's books
SonHansc. 1513 – 1537Painter; died in Bologna in 1537
SonLucas1515 – 1586“Cranach the Younger”; took over his father's workshop
DaughterUrsulaDates unknown
DaughterBarbaraDates unknown

In the game

You begin in autumn 1517 in Wittenberg as a court painter of forty-five. You are a commoner with no land and no sword, but you have the winged-serpent arms, a big house on a corner of the market square and a workshop where ten apprentices work. Your wife Barbara keeps the books, and you have your sons Hans and Lucas and your daughters. Word is going round that Doctor Luther, the monk at the university, has posted theses on indulgences.

In the first event, “The paper on the Castle Church door”, you choose whether to take on the journeyman printer Michael to set type, call on Luther first, or finish the Elector's altarpiece first. Scenes like 1520's “Two faces”, where you choose how to portray Luther, follow; in this life the brush and the press are your weapons.

The turning point is “The monk at Worms”. If Luther survives, real history runs through Junker Jörg, the September Testament, the herring barrels, the wedding on the evening of 13 June and the mayor's chair to following the captive Elector; if Luther is burned at Worms, another branch runs to the end through a spring without a teacher and a painting bound for Trent.

Start as this person →

The button opens this scenario's introduction screen directly. It is a free browser game, with no sign-up needed.

Frequently asked questions

What was the relationship between Cranach and Luther?

They were close friends living in the same town, Wittenberg. Cranach painted Luther again and again, as a monk, as Junker Jörg and as a professor; he was a witness at Luther's wedding in 1525 and godfather to Luther's eldest son. His workshop made the woodcuts for Luther's German Bible and printed Reformation pamphlets.

What are Cranach's best-known works?

Well-known works include the portraits of Luther and Katharina von Bora, Adam and Eve, his many Venuses and Lucretias, The Fountain of Youth (1546), and the altarpiece of the Church of St Peter and St Paul in Weimar, finished by his son.

What is the difference between Cranach the Elder and the Younger?

Cranach the Elder (c. 1472 – 1553) is the subject of this page; Cranach the Younger (1515 – 1586) was his second son, who took over his father's workshop. Both used the winged-serpent signature, so it is often hard to tell whose hand a work is by.

Sources

General histories of German art and of the Reformation; museum resources such as the Cranach Digital Archive.

The lives and families on this page are drawn from general histories and encyclopedia-level sources. Dates may differ by a year or two between sources.

← Cosimo de' MediciAlbrecht von Wallenstein →

← All real people · All 25 scenarios →